
“I’m speaking from the seaweed of my soul Take “Married to My Cadillac” for example:
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True or not his stories are verbal novels that unfold like a movie in your mind’s eye. Suga Free’s appeal is that he spits pulp fiction. Nobody thrills to the exploits of Everyday Joe, hitting on a girl at the bar trying to get her number, only to be shot down quicker than zombies in an arcade game. For me the exploits of Too $hort and Suga Free have always been a kernel of truth exaggerated to the highest degree for entertainment purposes, which has been true of almost every entertainer in every genre. This is not the time and place to discuss the morality of the hoe stroll. Yes it’s misogynistic – what do you want me to say? Pimping involves exploiting and degrading women for profit. In Suga Free’s pimping the key to success to soothe your flock of hoes with dulcet tones only to ultimately remind them they come a distant fourth behind money, wheels and clothes. In most publically portrayed pimping parables the smoothest, most stylish pimp with the greatest stable of hoes tends to be higher pitched anyway. Don’t mistake me as there’s nothing feminine about Free’s voice or his mack game, but vocally you won’t mistake him for Chuck D or Xzibit.
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Then again if his voice DID drop he must have been singing soprano in the pimp school choir beforehand, because even as a full grown mack he’s a couple octaves above the average – which may be why he and DJ Quik have hit it off so well over the years. For most other rappers trying to pull this off would be problematic, but that slight drawl to Free’s voice undoubtedly makes so many ladies moist that he learned to mack a bitch the first day his voice dropped. “Free” might as well stand for “freestyle” on most of his songs, because when one listens to any Suga Free album it seems like rhyming runs secondary to sounding fly. If I consider myself a Suga Free fan and even I didn’t know he had new shit out, that shows just how obscure Free remains outside of his native California. If anything the fact that I didn’t know about “Smell My Finger” until a RapReviews reader pointed out he dropped a new album proves my point. It takes an incredible promotional juggernaut the size of Bishop Don ‘Magic’ Juan to become a quasi-household name, and Free is too busy spitting his game and enjoying the fruits of his labor to promote himself full time. The high speed, on and offbeat, raunchy and punchline laden flows Free spits will never be crossover shit. Part of the problem for the pimp is the inaccessability of his topic matter to the mainstream. Despite having several nationally released discs and a legendary reputation as Pomona’s pimp rap kingpin, the Suga Free phenomenon still remains one of rap’s best kept secrets. If you haven’t heard of Suga Free, I can’t be mad about it.
